Events in November 2026

See what is happening in Oslo in november, arranged week by week.

Week 45

44 results 7. November Sorted by time

Youth

Oslo Zine Fest og Rom Ung: Zine workshop!

Make your own zine using things from your life and personal archive. Along the way, we’ll talk about what these things mean to you and to others, and how zines have long offered a way to self-publish when no one else made room for your stories. When we think of archives, we often picture museums, libraries and public archives. But many stories have never found a place there. Instead, they live in drawers, photo albums, on phones or in family stories shared around the dinner table. In this workshop, we’ll look at these things as an archive and use them to tell your story on your own terms. Bring different things that matter to you or your family. They could be photos, letters, recipes, jewellery, clothes, tickets, drawings or something else entirely. They can be valuable, but the most important thing is that they have a story and mean something to someone. You’re also welcome to bring things you can cut up, such as old magazines, receipts or packaging. If you don’t want to cut up an original, we can make a copy for you to work with. We’ll cut, glue, write and photocopy, turning your things and memories into a small zine for you to take home. No experience is needed, and your originals will be returned to you in good condition. The workshop is led by Rian Adam Sadiq, who works with creative archiving, diasporic storytelling and self-publishing. The workshop is a collaboration between Oslo Zine Fest, ROM Ung and Deichman Grünerløkka. Participation is free, with registration via this link: https://docs.google.com/forms/d/e/1FAIpQLSfUh4rB0AMtQtSF0ZDQZg5b-7FaC4RIL4n0WbMqZUjhsFG4rQ/viewform Venue: Deichman Grünerløkka, Schous plass 10, 0552 Oslo

Saturday 7. November · 13:00
Deichman Grünerløkka, Schous plass 10, 0552 Oslo
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Film

Dette er ikke et eple

An argument over a jacket leads to two brothers being attacked with a knife in their own neighbourhood in Oslo. They suffer life-threatening injuries, blood pours, and their lives hang by a thread. The attackers are people they considered friends. The brothers are left for dead, but against all odds, they survive. What follows is a choice few would be able to make. Instead of seeking revenge, they choose to forgive. As they say in the film: “Forgiveness helps prevent violence. Not forgiving leads to greater consequences.” The documentary follows the brothers in the aftermath of the violence, as they leave a criminal environment and move towards lives shaped by responsibility, reflection and new possibilities. As they fight to save themselves, they also become role models for other young people at risk of making the same choices. The film also turns its attention to wider social challenges. In some urban areas of Norway, social exclusion, a lack of belonging and difficult living conditions can contribute to increased crime. But there are alternatives. There are adults who notice, listen and offer guidance. There are places where young people can experience achievement, community and safety, and discover that other paths are possible. Length: 1 hour 27 min. Age rating: 9 years. 2D, Norwegian audio, Norwegian subtitles, Den Store Kinodagen Hall 4 Klingenberg, Olav V's gate 4, 0161 Oslo 2026-11-07 15:00–16:27

Saturday 7. November · 15:00
Klingenberg, Olav V's gate 4, 0161 Oslo
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Film

All We Imagine as Light

This year’s Grand Prix winner at Cannes takes us to the metropolis of Mumbai, where the lives of three hardworking nurses are portrayed with tenderness, humour and joie de vivre. All We Imagine as Light is January’s Film Friend of the Month at Vega Scene. Written and directed by Indian filmmaker Payal Kapadia, All We Imagine as Light was one of the major discoveries in the main competition at last year’s Cannes festival, where Kapadia deservedly received the Jury’s Grand Prix. It is a warm, understated and atmospheric portrayal of the lives of three women in Mumbai. In November, the film received Film fra Sør’s main award, Sølvspeilet, and I agree with the jury’s precise reasoning: “This year’s Sølvspeilet goes to All We Imagine as Light, written and directed by Payal Kapadia. Like a kind of cinematic love letter to Mumbai, the film portrays a broken system through the lives of three hardworking women, without explicitly pointing out what is not working, but by showing how beautiful life can be despite its challenges. The relationship between the main characters is exceptionally well written, and the performances are simply outstanding and memorable. The jury is captivated by Kapadia’s poetic storytelling and particularly impressed by her formal choices, not least her brilliant use of music. In All We Imagine as Light, one character describes everyday life in a dark factory, where the hours pass as you dream of stepping out into the light. The use of light, both as a metaphor and as an aesthetic and formal device, makes the film truly unique and places compassion and female solidarity at its heart. This moving, soul-nourishing film is a ray of hope. It makes the world a much better place.” — Truls Foss, Head of Cinema Programming at Vega Scene, on why the film was chosen as the Film Friend of the Month. The distributor writes about the film: The stoic Prabha and the younger, more flighty Anu are roommates and nurses. Both long for love and closeness. The man Prabha was married off to as a young woman moved to Germany shortly after their wedding, and she has barely heard from him since. Anu, meanwhile, is in love with a Muslim boy and is not pleased that her parents intend to marry her off to someone else. The film has an almost hypnotic quality. Its understated style draws you deep into Mumbai’s nightlife and the intimate conversations between lovers, friends and colleagues. ALL WE IMAGINE AS LIGHT was named the year’s best film by The New York Times and SIGHT & SOUND. It was named Best International Film of the Year by the New York Film Critics Circle Awards. Winner of the Grand Prix at Cannes Film Festival and of the main award, Sølvspeilet, at Film fra Sør. Nominated for Golden Globe awards for Best International Film and Best Director. Payal Kapadia (born 1986) is an Indian filmmaker and artist. She has made several short films that have premiered at festivals around the world. She made her feature-film debut with A Night of Knowing Nothing, which premiered at Cannes in 2021. Her second feature, All We Imagine as Light, premiered in the main competition at Cannes in 2024.

Saturday 7. November · 16:00
Vega Scene, Hausmanns gate 28, 0182 Oslo
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Film

Drive my Car

Director and actor Yusuke Kafuku is in deep mourning, but still takes on a theatre assignment in Hiroshima. There, he is confronted with his inner demons, and an unexpected bond develops with his new driver during their long journeys in a bright red Saab 900. Drive My Car is a beautiful, atmospheric story about life itself. The critically acclaimed film won the Oscar for Best International Feature Film and was among the favourites for this year’s Palme d’Or at Cannes. There, it won both the award for Best Screenplay and the critics’ prize. The film is based on a short story from Haruki Murakami’s book Menn uten kvinner. What Norwegian reviewers say: “A film that becomes more captivating every time you watch it” Ingrid Åbergsjord, Aftenposten (6) “Masterful on driving, Chekhov, love and loss” Terje Eidsvåg, Adresseavisen (6) “The most beautiful film of the winter” Britt Sørensen, Bergens tidende (6) “A seductive piece of urban poetry” Hannah Bull Thorvik, Dagbladet (5) “Three wonderful hours at the cinema” Birger Vestmo, Filmpolitiet, NRK (5) “A steady drive along unfamiliar routes through life” Benjamin Yazdan, Klassekampen (5) “Consistently engaging and full of moving moments” Espen Svenningsen Rambøl, Dagsavisen (5) “A film that encourages you to think as you watch it. Those are quite rare.” Morten Ståle Nilsen, VG (5) “A beautiful work of film art and a portrait of life” Tore André Øyås, Filmfront (5) “Drive My Car may be a long journey. But you end up somewhere fundamentally different from where you began.” Ulrik Eriksen, Morgenbladet “Fascinating and thoughtful” Kristin Aalen, Vårt land “Take the passenger seat in a red Saab 900 and come along on a tender, warm and beautiful journey” Ingrid Rommetveit, Z Filmtridsskrift “Has the high point of the 2022 film year already been reached?” Alexander Hellstenius, Radio Nova “A truly wonderful film” Karsten Meinich, Filmfrelst/Montages Duration: 2 hours 59 minutes. Age limit: 12. 2D, Japanese audio, English subtitles, Film fra Sør, unreserved seating, English subtitles Screen 3 Vika, Ruseløkkveien 14, 0251 Oslo

Saturday 7. November · 16:30
Vika, Ruseløkkveien 14, 0251 Oslo
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